They Might Be Giants at Port City Music Hall on February 27, 2013

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First, let me say that this concert went by very quickly, which to me indicates that it was a very, very good show. I’m glad we found a place near the stage when we did because once the opening act started it was next to impossible to even turn around let alone get in and out of the crowd.

I always seem to end up behind a tall man. Oh, well! There's Rose Guerin on the left.

I always seem to end up behind a tall man. Oh, well! There’s Rose Guerin on the left.

The opening act was the alt-folk band Vandaveer, who were good, but not really my cup of tea. I was very taken by Rose Guerin, though, whose blonde and pink hair and subtly powerful voice captured my attention for their entire set.

John Linnell and his accordian

Blurry John Linnell and his accordion

After a brief intermission, the lights dimmed and They Might Be Giants came onstage. I, rather against my control or better judgement, squeeled at the sight of John & John in front of me but no one minded because they were all beside themselves with joy too. They went into a song off their new record Nanobots called “You’re On Fire,” which whipped the crowd up even more. The show was a good mix of new and old songs, and they played up to that by pretending that the old songs were new (“and now a song off our new record ‘Lincoln’…”). They also played an impromptu version of the theme from The Rockford Files and told a story about how they’d once met the composer of the tune at an awards show and told him they wanted to cover the song and he’d responded by yelling the appropriate key at them.

(Photo by Bryan McLeod)

(Photo by Bryan McLeod)

This was my first They Might Be Giants show and I’d heard how interactive the show can be, but I really enjoyed the games they played with us. The first one occurred when Flansburgh took out an oversized flashlight and pointed it down the middle of the crowd to divide us into two groups. He then said that everyone on the left side of the room represented the people and had to pump their right fist in the air and shout “PEOPLE!” for a certain part of the next song. The right half of the room pretended to be apes and had to pump their left fist and yell “APES!” when their part of the song came up. I was on the ape side and tried my best, but “apes” is a very hard word to shout repeatedly thanks to the “p” and “s” in the word. When the song was over, Flansburgh announced that The People had won and much booing from The Apes happened.

(Photo by Bryan McLeod)

(Photo by Bryan McLeod)

The second game was that, according to Linnell, the band had nicknames for every single person in the room. When Flans shined his flashlight on one of them one or both of the Johns would reveal what the nickname was. Their favorite ended up being the last person named, whose name Flansburgh swore began with a J or an H but who Linnell suddenly exclaimed was called Rusty. They even dedicated “Istanbul, Not Constantinople” to dear Rusty.

They did two encores, one with three songs, including Ana Ng. The final encore just included one song, Twisting.

They Might Be Giants tour 2013 shirt

The available merch was good quality and not too pricy considering, but I wish they’d had smaller objects other than guitar picks (I’d been hoping for a button to add to my collection, but alas). We bought a Drinky Crow tee shirt and a signed CD of Nanobots, which was next to a bright pink sign that said “WHAT? That’s not even out yet!” The woman running the merch table had a jar that said “give me tips of they’l kill my cat,” which of course I found funny and put money into.

A signed copy of Nanobots (apologies for the light interference)

A signed copy of Nanobots (apologies for the light interference)

Here’s the set list from the show and the albums the songs are from, in case you were wondering:

1) You’re On Fire (from Nanobots), 2) When Will You Die (from Join Us), 3) Memo to Human Resources (from The Spine), 4) Celebration (from Join Us), 5) Call You Mom (from Nanobots), 6) Fingertips (from Apollo 18), 7) Cloisonné (from Join Us), 8) Whistling in the Dark (from Flood), 9) Drink! (from Mink Car), 10) Dr. Worm (from Severe Tire Damage) ,11) Put Your Hand Inside the Puppet Head (from They Might Be Giants), 12) Rockford Files theme , 13) Where Your Eyes Don’t Go (from Lincoln), 14) The Guitar (from Apollo 18), 15) Planet of the Apes Battle, 16) They’ll Need a Crane (from Lincoln), 17) Insect Hospital (from Nanobots), 18) Nanobots (from Nanobots), 19) Birdhouse in Your Soul (from Flood), 20) The Mesopotamians (from The Else) 21) Istanbul, Not Constantinople (from Flood)

Encore one: 1) Alphabet of Nations (from Here Come the ABCs), 2) New York City (cover), 3) Ana Ng (from Lincoln), Encore two: Twisting (from Flood)

Leonard Cohen in Boston, 2012

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My husband and I got back quite late from the Leonard Cohen show in Boston last night (the show got out at midnight and it’s a three hour drive back to Maine so needless to say I’m exhausted). Still, it was an excellent concert and I’m extremely impressed by the man. I’ve grown used to seeing living legends on stage who are out of shape, seem tired, and sound little like their former selves, but with the exception of a more gruff and low voice Leonard is none of the above. He sprinted out onto the stage and for the duration of the concert (which consisted of two parts and two encores totaling 4 hours) danced and knelt and bowed and moved from one band member to another with more flexibility than I as a 26 year old possess. He also had a humility that was terribly endearing, at one point jokingly asking after a spontaneous round of applause from the audience if we really meant it or if we were just being nice to an older gentleman. I don’t have any pictures from the concert because they specifically stated it was prohibited to take any and I respect such rules (unlike the 10 or so people in front of me with their iphones), but I did purchase a mug and lapel pin from the merch table.

Aubin with Leonard Cohen merch from the 2012 tour

I think the “Cup of Longing,” modeled after the cover of his Book of Longing, definitely wins the prize for my favorite tour merch of 2012.

For the curious, here is the set list from the show:

Set One:

1) Dance Me to the End of Love, 2) The Future, 3)Bird on a Wire, 4) Everybody Knows, 5) Who By Fire, 6) Darkness, 7) Ain’t No Cure For Love, 8) Amen, 9) Come Healing, 10) In My Secret Life, 11) A recitation of “A Thousand Kisses Deep”, 12) Anthem

Set Two:

1) Tower of Song, 2) Suzanne, 3) Chelsea Hotel #2, 4) Waiting for the Miracle, 5) Show Me the Place, 6) Lover Lover Lover, 7) Democracy, 8) Sharon Robinson performing Alexandra Leaving, 9) I’m Your Man, 10) Hallelujah, 11) Take This Waltz

Encore One:

1) So Long Marianne, 2) Going Home, 3) First We Take Manhattan [note: the lights and instrumentation ont his song was fantastic- it was like attending the Leonard Cohen disco]

Encore Two:

1) Famous blue Raincoat, 2) Spoken introduction by Leonard and then “If It Be Your Will” performed by The Webb Sisters), 3) Closing Time